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December 18, 2019

Call for Papers: CIMCIM Annual Meeting 2020 Call for papers, Conference

The next CIMCIM Annual Meeting will be held in London, between the 6th and 10th September 2020, hosted by the Royal College of Music Museum and the Horniman Museum & Gardens. It will be followed by a post conference tour of St. Cecilia’s Hall in Edinburgh.

The deadline for submitting abstracts is on the 31st January

Due to many requests, the organising committee has decided to extend the deadline to submit proposals for the 2020 CIMCIM Conference in London.  

Please, send abstracts to the CIMCIM Secretary Marie Martens Marie.Martens@natmus.dk by Monday 10th February.

Further details about travel grant applications, accommodation and enrolment will be posted on the CIMCIM website in early January.


Beyond the Object and Back: the Role of Collections in Music Museums

The same collections often prove capable of telling profoundly different stories. Musical instrument collections have been deployed to support everything from evolutionist narratives to those of decolonization, from systematic organology to those highlighting context, at times prioritising conservation, academic research, display or playability. While some collections reflect individual tastes and interests, others represent collective ideas and the trends, methodologies and cultural priorities of their times. As such, they are powerful mirrors of those times – and indicate the nature of the relationship between music and society itself.

Today, changing attitudes towards audiences and the cultural and social role of museums, the balance between tangible and intangible heritage and the availability of digital technologies are among the many drivers that influence the way museums collect or dispose of objects, choose what to display or preserve and how to deal with the objects that cannot be displayed. Cultural and political agendas, public interest and preconceptions have often played a major role in defining what should and shouldn’t be represented. In some cases, the relevance of collections in museums has even been questioned altogether, while the centrality of objects in displays has been reconsidered, and storage space is an increasing challenge.

This conference aims to present critical perspectives on the ways that music collections represent – or struggle to represent – the ambitions and purposes of the institutions that manage them, throughout history and today. How are music collections responding to changes in the identity of museums? What are the implications for the care and conservation of collections? What is driving, or hindering these changes? In what ways can historical collections still be used to represent current ideas?

Papers are invited in the following formats:

– Full papers 20 min.

– Lightning papers 10 min.

– Panel discussions up to 60 min.

As part of the programme, one session will address the topics above with specific reference to the collecting and playing of historical keyboard instruments and one will specifically address conservation. Another will be reserved for short free papers (7 min), aimed at presenting current projects and updates in the field of music museums, not necessarily related to the theme of the conference.

Please send abstracts of max. 300 words for full papers, or 200 for lightning and short papers, with clear specification of your full name, institution, address and a brief bio (max 100 words) to cimcim2020@gmail.com by the 31st January 2020.

Acceptance of papers will be confirmed by the 14th February. Accepted abstracts will be published on the conference website soon thereafter. A longer version of the texts and images will be requested by the end of July to be published in the digital proceedings of the conference.

Papers should be presented at the Conference in person by the author (or one of multiple named authors).

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